Miriam Gossing & Lina Sieckmann
The weird and the eerie
The film essays of Miriam Gossing and Lina Sieckmann are permeated by a tension that evokes a creepy atmosphere. The deserted interiors, backdrops, and decors look enigmatic and uncanny. The British pop theorist Mark Fisher, whom the artists evoke in their exhibition title, described this kind of deconstruction and alienation of reality as “weird and eerie.”
The artists choose symbolically charged places for their observations: single-family homes in American suburbia, high-rise chapels in Nevada, or the adventure architectures of a ferry staged as a cruise ship. Their films are characterized by a dramaturgy in which the protagonists remain invisible while their stories are told by an off-camera voice of compiled questions from interviews and fragments of chatroom contributions. The traces of the absent people become visible in fetishized objects that become unruly symbols of their unfulfilled desires and dreams.
This exhibition is part of the IN FOCUS series in which individual artists’ positions from the program of the IMAI Foundation are presented in the Video Lounge.
The exhibition will open on Saturday, 11 July 2020 at 10 a.m. The artists will be present from 6 to 9 p.m.
Souvenir (2019), 20:50 min. 16-mm film, transferred to HD video, color/sound
Sonntag, Büscherhöfchen 2 (Sunday, Büscherhöfchen 2) (2014), 13:23 min. 16-mm film, transferred to HD video, color/sound
Desert Miracles (2015), 11:41 min., 16-mm film, transferred to DCP, color/sound
The artists Miriam Gossing and Lina Sieckmann (b. 1988) live and work in Cologne and Portland, Oregon. They studied at the Kunsthochschule für Medien Köln and the Kunstakademie Düsseldorf. Their works have been shown in art museums and at film festivals such as the Hamburger Bahnhof in Berlin, the International Film Festival in Rotterdam, and Anthology Film Archives in New York. Their films have received such awards as the Deutscher Kurzfilmpreis and the NRW-Preis of the Kurzfilmtage Oberhausen. Since 2017 their works have been in the distribution program of the IMAI Foundation.To the artists’ website
Videolounge der Stiftung IMAI im
Tuesday - Thursday 11 a.m. - 18.00 p.m.
Friday 11 a.m. - 21.00 p.m.
Saturday 10 a.m. - 21.00 p.m.
Sunday 10 a.m. - 18.00 p.m.
Episode 4 - selected by Ji Su Kang-Gatto
Düsseldorf-based artist Ji Su Kang-Gatto has put together a screening program with works from the IMAI archive. In addition to her own videos, she is showing works by Róbert Olawuyi and Margot Zanni.
Episode 3 - selected by Lukas Marxt
As part of the anniversary program HITTING PUBERTY - 15 Jahre Stiftung IMAI, young artists from the Foundation's distribution program present their own work relating to historical videos from the IMAI archive, which have been groundbreaking for their personal development.
The exhibition in the NRW Forum is open to visitors again.
Do Videos Dream of Glitching?
The students of the Master of Arts in Art Education Curatorial Studies at the Zürcher Hochschule der Künste discovered work on the subject of glitching as an aesthetic-conceptual tool and emancipatory strategy in the video art archive of the IMAI.
Episode 2 - selected by Ale Bachlechner
The Cologne-based performance artist Ale Bachlechner has selected for the fifteenth anniversary of the IMAI historical and current video works in which language and performance are impressively employed.
Episode 1 - selected by Maki Satake
On the occasion of the fifteenth anniversary of the Inter Media Art Institute, the Japanese artist Maki Satake has compiled a very personal program with videos on the journey of growing up.
The Kebab Helix
And other fast food fantasies
This exhibition addresses the fast-food fantasies of contemporary artists such as Helen Anna Flanagan (b. 1989 in Birmingham), Dara Birnbaum (b. 1946 in New York), Gorilla Tapes (founded in 1985 in Luton), and Petr Vrána (b. 1956 in Prague).
Dreams & Memories
This exhibition presents videos from the IMAI’s distribution program that establish connections to photography.
In Focus: Luzia Hürzeler
Luzia Hürzeler’s works treat different aspects of temporality: the individual experience of the flow of time, human striving for eternity, and the desire to overcome time.
farthest from the edge, farthest in
Intimacy in Media Art
Exhibition in Neuen Kunstraum - NKR